As
the years go by in the life of a player, there are two kinds of growth
we can experience. Both are necessary for our development as musicians
and guitarists. I call them Vertical Growth, and Horizontal Growth.
Here is a common scenario. A person comes in for lessons after already
playing for awhile. Maybe they have played for a year, maybe a few
years, maybe many years. I say, "Play something for me, something
you are comfortable with". Now a few different things may happen.
They may play nicely, strumming and singing, maybe even throw in a
few runs. So I see that for the level they are at, they play well.
I then try to find out what they are here for. "What do you want to
do, that you find you can't do."
They may say "Well, I play lots of things, but I play them all the
same way. I want to learn how to do chord melody solos, more interesting
chords and strums, and also improve my fingerpicking so I can try
some classical." In other words, they want to move to a higher level
as a player. They want to make VERTICAL GROWTH.
They don't want to continue to learn new songs and play them the same
way. That would be HORIZONTAL GROWTH. Everyone can always make Horizontal
Growth, even on their own. You just learn more material, but you don't
actually play any differently, musically or technically.
Vertical progress as a player is the tough one. It requires what is
usually considered "work", although I have always found it enjoyable,
although challenging.
Here is another even more common scenario. Someone comes in for lessons
after playing for awhile, and when I ask them to play, they make a
couple of excuses, and then they play really badly! Then I ask them
to play something else, and they play that really badly! This is the
person unable to create Vertical Growth. The reason they cannot raise
their level as a player, is because THEY DON'T KNOW HOW TO PRACTICE
TO SOLVE PROBLEMS AND ACHIEVE RESULTS! Also, because of this, there
is no solid foundation of technique for Vertical Growth to be built
upon. So there is only Horizontal Growth, more things played the same
way, in this case, badly.
Do you know how many young players I've seen who play only the beginning
of a hundred songs, and play them badly? Lots.
Or how many people playing classical who go from piece to piece, struggling
with and mutilating pieces as they go? Lots. It is sad, and unnecessary.
If you love the guitar, and are dedicated to your own development
as a player, if you are dying to play the way the guitarists you admire
play, you must know how to create Vertical Growth. This is done through
an understanding of HOW TO PRACTICE. I am of course talking about
REAL PRACTICE, not repetitive "run throughs" that only re-enforce
the muscle tensions causing the problems you already have.
From my experience as a player and as a teacher, it is extremely difficult
to create Vertical Growth, once bad, or insufficient practice has
locked in tension and bad habits. The good news is, it is not impossible.
In fact, the word difficult is not the best word. I use it only because
we have such a tendency to under-estimate the intensity of concentration
it takes to undo past damage. A better word is challenging. And if
you want to keep getting better and better as a guitarist, you'd better
learn to love challenges! As Mark Twain said "Life is one damn thing
after another", and that is what playing and practicing are. One damn
problem to deal with after another.
But as we learn to actually deal with and solve those problems, what
a sweet reward we earn.
In fact, it is not the problems we face in our playing that are really
the obstacle to our growth. It is the growing feeling of frustration
and helplessness we experience as time continues to go by, and we
see no fundamental improvement. We start to feel helpless. We may
not admit this feeling to ourselves, we only notice that, for some
reason, we are beginning to lose our motivation to practice.
When we learn how to really practice, we start to feel powerful. Problems
and challenges don't frighten us, they excite us. Because we know
that we can look forward to those problems getting smaller and smaller,
weaker and weaker, as we continue to apply The Principles of Correct
Practice.
It is important to realize that the quality of our Vertical Growth
determines the quality of our Horizontal Growth. Any ability we have
gained as players has been our Vertical Growth. If our Vertical Growth
has been shaky, with weaknesses built in, (which was true of myself,
and I think, most players), that shakiness will be in everything we
play, so our Horizontal Growth doesn't do us much good, it just keeps
us busy, feeling like we are making progress because we are learning
a new song or piece. This is why so many teachers turn the page and
assign new material to a student, even though the student can't play
the material from this week. The teacher doesn't really know how to
create Vertical Growth, and so is trying to keep a feeling of movement
going. Most students, if they are paying attention, will catch on
to this.
If Vertical Growth is strong, than all new material learned will be
strong, and will help you grow as a musician, as you absorb new music,
and are able to play it well. This is the kind of Horizontal Growth
we want.
If you want to learn how to have this Vertical Growth as a regular
experience for you, I invite you to look around my site further for
more information about "The Principles of Correct Practice for Guitar".
It is the approach I have found to work for myself, for my students,
and anyone else who actually understands it, and uses it.