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Articles, music tips and advice
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Guitar
tips from GuitarMadeSimple.com |
Do you struggle
with not having enough time to practice guitar? Are you unsure
about what things to practice within this very limited amount
of time?
While it may be rather difficult to increase the total time
you have available to practice guitar, it is very possible
to maximize the results you get from the practice time you
do have available. Here is what you need to do to get maximum
results...
The Essentials
To get any significant results in your guitar playing, you
need to focus on two essential elements: efficiency of your
practice, and its effectiveness. Being efficient means being
skillful in avoiding wasted time and effort. Being effective
means having the ability to achieve the desired result.
Imagine that you are trying to dig a swimming
pool by using a teaspoon. Sure, you are being effective
(the pool is getting dug), but it is going to take you YEARS
working at this rate to complete the job (because you are
working with very low efficiency). A much better approach
(one that will help you avoid wasted time and effort), would
be to use a powerful excavator to do the same task in minutes!
In order to become truly great guitar player in a minimum
amount of time, you should strive to maximize BOTH efficiency
and effectiveness, as they are equally important. However,
the focus of this particular article will be entirely on
efficiency, and I will discuss effectiveness in a future
article.
I want to share with you 3 powerful ideas and practice strategies
that can be used to maximize results from your practicing
by increasing efficiency. They can and should be applied
regardless of how much time you have to practice, and especially
when time is limited.
1. Transferability
Many guitar players become discouraged if they cannot find
a large enough block of time (for instance, an hour or more
each day) to practice. I often receive questions from students
such as: “Tom, I only have 20 minutes to dedicate
to practicing guitar each day, and I want to make the most
progress possible. What should I be doing?”
In this case, I suggest to practice something which has
a high level of “transferability”. A skill is
“transferable”, if working on it will simultaneously
make you better in other elements of guitar playing (for
example: left hand technique, right hand technique, 2 hand
synchronization, shifting from string to string, muting
string noise, fretboard awareness, improvisation and many
more…). If what you are working on helps more than
one of these elements at the same time, then you are practicing
something that has some degree of transferability. There
are two primary factors which determine the transferability
rate. The first factor is the number of other areas which
are benefited. The second factor is how strong that benefit
is.
One example of a technique with high transferability is
string skipping. It involves the technique on both hands,
challenges your 2 hand synchronization, and forces you to
focus on muting unwanted string noise. This is a good technique
to work on because its benefits directly “transfer”
to other elements of guitar playing.
Legato technique, on the other hand, has a much lower degree
of transferability. It mainly focuses only on left hand
technique (and some elements of muting string noise as well).
So when time is limited, working on legato playing is probably
not going to bring you as much benefit compared to practicing
string skipping.
By investing your practice time among high transferability
items, you will get a lot more from your practicing. I want
you to become aware of this idea and think about it as you
are selecting the most important items to work on when your
practice time is very limited.
To help you fully understand and APPLY the transferability
concept into your guitar practicing, I have created a free
short guitar
practice video.
Teaching my philosophy of transferability has been a key
factor in the great success I have had with training many
of my students to become great guitarists in a short amount
of time.
2. Blueprint to Success
Another way to dramatically improve your efficiency is to
use a practice schedule that is targeted and relevant to
your goals. Think of a practice schedule as a blueprint
to your success. If you have been stuck at the same level
for months or years, if you have the desire to move past
your current plateau, and if you have limited time to practice,
consider creating a schedule. It will keep you focused on
what you need to do, and will help you to become more organized
and not waste time when practicing.
This schedule must be specific to your musical goals and
yet flexible enough to adjust to your progress and any possible
changes in your musical ambitions. If you are struggling
with creating an efficient practice schedule on your own,
you can find help here.
3. Divide and Conquer
Another piece of advice that I want to give to you is to
become more specific about isolating your technical challenges.
This will allow you to get to the core of your playing problem(s)
and avoid wasting precious time practicing the parts of
the music you can already play well.
For example, when you practice an ascending scale sequence
like this one,

you may have trouble with fretting
hand accuracy every time you have to shift from string 5
to string 4. Here is where the practice efficiency breaks
down for most players. They will attempt to practice this
ENTIRE sequence over and over, trying to iron out the difficulty.
Even though you will still be practicing the hard part of
the sequence when you do this, your efficiency will be greatly
compromised for the following reasons:
1. The number of times per minute that you can play your
SPECIFIC problem area will be a lot less, simply because
you are also playing additional notes.
2. Your attention will not be fully engaged on the problem
at hand because you will have to think about playing additional
parts
of the phrase. This means that your hands will need to play
your specific challenge even MORE times before you can overcome
it.
This is similar to the example of digging a swimming pool
with a teaspoon, and obviously this is highly inefficient.
If instead you took the time to define the problem (such
as the shift between the two strings and the transition
from using your 4th finger to using the 1st finger), and
focused on practicing that section only without playing
the rest of the phrase, you will practice the problem area
many more times per minute! This is something you should
do regardless of how much practice time you have, and especially
in situations when time is limited.
AFTER you have practiced the problem in isolation, you should
put it back into the context of the whole sequence, and
practice everything together to see how well it holds up.
But working on the problem in isolation (dividing and conquering
it!) should be the first step.
Think about each of these 3 practice tools. If you were
already familiar with them, have you been applying them
every day? Obviously, if you have already been using these
concepts and are seeing good results, then continue doing
what you were doing! However, if you are not yet applying
these ideas, and/or are not progressing at the rate you
would like, then you should think hard about how you can
implement these tools to improve the efficiency of your
practice. If you are still stuck after trying to apply them
on your own, ask someone for help!
If you follow the advice given in this article, you will
soon find yourself making more progress in 30 minutes than
most people can achieve in 2 hours of practicing!
About
the author
Tom Hess is professional touring virtuoso guitarist, composer
and teacher. You can read more info about Tom at: http://tomhess.net |
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