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Along with Gary Moore, Michael Schenker
never quite reached the same level of acclaim stateside as he
did in Europe (and other parts of the world), despite possessing
exceptional, and quite influential, six-string skills. Born on
January 10, 1955, in Savstedt, Germany, it was Schenker's older
brother, Rudolf, who sparked the youngster's interest in guitar
at an early age.
Entirely self-taught, Michael picked up a thing or two from such
hard-rocking acts as Wishbone Ash and Mountain, as well as his
older brother, who would offer the youngster money if he would
transcribe certain songs for him while he was at work. As a result
of constant playing, it wasn't long before Schenker showed immense
talent with the instrument, and by the early '70s, joined Rudolf's
group, the Scorpions. Michael appeared on the group's 1972 full-length
debut, Lonesome Crow, and toured with the outfit (all at the age
of 17). But it was during the album's supporting tour that another
up-and-coming outfit, UFO, took a keen interest in the young Schenker
and managed to pry the guitarist away from the Scorpions.
Although a language barrier existed between Schenker and his new
bandmates (he barely knew any English at the time), the guitarist
let his playing do the talking, especially on his first recording
with the group, 1974's Phenomenon, which spawned such metal classics/Schenker
showcases as "Doctor Doctor" and "Rock Bottom" (also of note was
the instrumental "Lipstick Traces," a tune which Schenker played
entirely with his feet!). It was also around this time that Schenker
began playing an instrument that he would become synonymous with
for the rest of his career, a Gibson Flying V (which would eventually
be decorated with a half-white/half-black paint job).
Heavy-duty touring and a pair of further releases, 1975's Force
It and 1976's No Heavy Petting, set the stage perfectly for what
UFO hoped would be a global commercial breakthrough. The late
'70s saw UFO issue a trio of classic hard rock albums — 1977's
Lights Out, 1978's Obsession, and especially 1979's outstanding
live set, Strangers in the Night — all of which made strong showings
on the U.S. charts. But UFO's time in the limelight would be fleeting,
as alcohol/substance overindulgence and erratic behavior drew
a wedge between Schenker and the rest of UFO (the guitarist also
became famous for disappearing from the group without any notice,
leaving them high and dry mid-tour).
1979 saw Schenker's exit from UFO (who were never the same after
his exit) and re-entry into the Scorpions. But, as with his first
go around with the group, Schenker's tenure was a fleeting one,
only lasting a single album, 1979's Lovedrive, before exiting
once more.The same year, Schenker was invited to take the place
of the just-departed Joe Perry in Aerosmith. Despite a few jam
sessions between Schenker and the others, nothing ever materialized
of the Schenker-Aerosmith union (the interesting meeting was discussed
by the group in their 1999 autobiography, Walk This Way).
Now free of any other obligations, Schenker set his sights on
a solo career, forming the Michael Schenker Group immediately
thereafter. While the group got off to a promising start with
such strong releases as 1980's Michael Schenker Group, 1981's
MSG, plus 1982's Assault Attack and One Night at Budokan, interest
eventually evaporated, as it became obvious with each subsequent
release that Schenker had set his sights at the top of the charts
rather than sticking to good old-fashioned hard rock/heavy metal.
Constant lineup fluctuation didn't help, either.
1982 saw Schenker get an invite from Ozzy Osbourne to join his
group immediately after Randy Rhoads' tragic death, but like the
Aerosmith bid several years earlier, it failed to pan out. Despite
failing to issue a big commercial breakthrough on his own (although
1989's pop-metal outing, Save Yourself, credited to the McAuley-Schenker
Group, came close), the guitarists in such renowned groups as
Metallica and Def Leppard were quick to voice Schenker's influence.
The early '90s saw Schenker appear with Ratt on a best-forgotten
episode of MTV's popular Unplugged series, in addition to participating
in a one-off pop-metal "supergroup," Contraband (which included
members of such groups as Shark Island, Vixen, Ratt, and L.A.
Guns), who issued a lone self-titled debut in 1991. Throughout
the '90s, Schenker continued to issue solo albums, including 1993's
acoustic-based Thank You and 1999's more rock-based Unforgiven,
but the real story of the '90s for Schenker was his re-enlistment
into UFO in 1993. Predictably, Schenker's second go-around with
UFO was short-lived, yet it did spawn a world tour as well as
an all-new studio effort, 1995's Walk on Water.
Schenker's pace of issuing solo albums only increased during the
early 21st century, as such titles as 2000's all-instrumental
Adventures of the Imagination, plus a staggering three albums
in 2001 alone (MS 2000: Dreams and Expressions, Odd Trio, and
Be Aware of Scorpions) saw the light of day. 2002 saw Schenker
sign on with UFO once more for a new album, Sharks.
This bio courtesy www.allmusic.com
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