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Guitarist, arranger, songwriter, producer
and perennial sideman, Mick Ronson made his mark during glam-rock's
early '70s heyday but worked consistently with frequent collaborators
David Bowie and Ian Hunter till his death in 1993. From 1967-68
he played with a hometown garage rock group, The Rats, in Hull.
In 1969, he was discovered by fledgling folksinger and producer,
Mike Chapman, who asked him to join his recording band. From there
he was on to a collaboration with Bowie beginning with "Space
Oddity" in 1969 and lasting through 1973's Pin-Ups. He arranged
"Changes" among others on Hunky Dory (1972) and was Bowie's flamboyant
guitarist in the Spiders from Mars during the Rise and Fall of
Ziggy Stardust (1972) album and tours.
It has remained a mystery as to how much of Bowie's material Ronson
wrote in exchange for "arrangement" credits, but his stamp is
on some important records of the era: He co-produced Lou Reed's
Transformer (RCA, 1972) with Bowie and briefly joined Mott the
Hoople after working as an arranger on All the Young Dudes (1972).
As glam rock faded, Ronson continued to work with Hunter in the
Hunter/Ronson band and as a songwriter, guitarist and producer
on Hunter's solo work.
He recorded two solo albums for MainMan, Slaughter on 10th Avenue
(1974) and Play Don't Worry (1975). His identifiable wah-wah sound
straddled genres outside his beloved glam and hard rock: From
Bob Dylan's Rolling Thunder Revue to Morrissey's Your Arsenal(1992).
Ronson consistently worked with divergent artists from Roger McGuinn
and David Johansen to John Mellencamp ("Jack and Diane").
He and Hunter recorded YUI Orta in 1989 for Mercury and in 1990,
Ronson was diagnosed with cancer. He was reunited with Bowie for
Black Tie White Noise(1993) and that same year appeared at the
Freddie Mercury Tribute Concert with Hunter and Bowie. He made
one final record with some help from his friends Hunter, Bowie,
Chrissie Hynde and Mellencamp, Heaven 'n Hull, (Epic) which was
released posthumously in 1994. Just Like This, a two-disc collection
of unreleased material, followed in 1999, and Showtime, a collection
of live material, arrived the next year.
This bio courtesy www.allmusic.com
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