| Dropped D Rhythm
Guitar Patterns By Paul Tauterouff |
Free
guitar lessons from GuitarMadeSimple.com |
Hello everyone! For this month's lesson I decided to break things
up a little bit and get away from the typical wheedly-deedly lead
guitar type of lesson and talk about some rockin' rhythm guitar
ideas!
We have to do something to pass the time in between our solos,
right?
So grab your guitar, check out these ideas and get ready to create
some killer rhythm riffs of your own! Feel free to use these ideas
as springboards for your own songs.
Is
It Magic?
When you
listen to songs by popular rock, pop and metal bands have you
ever felt like all of the chords seem to fit together well? Its
almost as if they have some divine gift that helps them to choose
the right chords!
Theres a good reason for this. Generally speaking, songs
or riffs that sound pleasant to our ear use chords and notes that
are diatonic to a particular key. Dont get hung
up on jargon, this just means that all of the chords work together
in a particular key.
So when you hear a song that sounds good the writer may have a
good knowledge of music theory which he used to help him to choose
the chords in his (or her) song.
Note: I said generally speaking above because today
our ears are becoming more accustomed to hearing adventurous harmonies
and chord progressions than past generations. A few centuries
ago some intervals commonly used today would have caused you to
be burned at the stake! (Seriously
)
I dont want to dig deep into theory in this lesson
instead I want to give you some quick and easy to use tools to
immediately start crafting your own songs.
Dropped-D
Tuning
These examples
are all in Dropped-D tuning. For those of you unfamiliar with
this tuning, it is similar to normal tuning, except that the low
E-string (6th string - the fattest one) is tuned to D (one whole
step down). If you have a common chromatic electronic tuner, you
can accomplish this pretty easily.
So are you tuned up and ready to go? All right then, lets
continue!
One of the coolest things about Dropped-D tuning is that it allows
you to play power chords (aka 5th chords) on the low E and A strings
by barring one finger. This allows you easily change chords and
slide between them.
Also, if you strum your open (unfretted) 6th and 5th strings together
you get a nice thick, powerful-sounding D power chord!
Power
Chord Scales
So lets
take a look at what I like to refer to as dropped-D power chord
scales - essentially a map of the power chords in the key of D.
By using these chords together you can easily create your own
great-sounding riffs and songs.
Figure One demonstrates our first chord scale pattern the
D Blues Scale on the 6h string.

Figure 1: D Blues Scale on low E-string
Our next
figure is also the D Blues Scale, only this time on the 5th string.

Figure 2: D Blues Scale on A-string
Now lets
apply some simple rhythmic ideas to our first chord scale pattern
and see what we can come up with
In Example One we play each chord followed by two palm muted open
(D) power chords in an 8th-note triplet rhythm. Its surprising
how great this simple pattern sounds!
Example
One:


Note: You
can get a free Guitar Pro Tab of this lesson, along with audio
clips, a drum track to practice with and more free high quality
guitar lessons like this one at: http://paultauterouff.com/freeguitarlesson.php
Example
Two applies the same basic idea from above to the chords on the
5th string. Again, the results sound awesome!
Example
Two:


Another
Power Chord Scale
So now
let's take a look at another scale commonly used in rock and metal
music. Figure Three demonstrates a power chord scale based on
the notes of the D natural minor Scale on the 6th string.

Figure 3: D Natural minor Scale on low E-string
Figure
4 is the same power chord scale as above, just moved over to the
5th string.

Figure 4: D Natural minor Scale on A-string
In the
next example I play a different three-note riff - two fretted
notes followed by a palm muted open (D) power chord. Note how
the open chord occurs at different places from one measure to
the next. Cool? Yes!
Example
Three:




In Example
Four I applied the sequence from the prior example to the Blues
Scale and ended up with a riff that sounds similar to the riff
from a popular Velvet Revolver song.
Example
Four:



Of course,
you aren't locked into playing only chords – you can also
play single notes from the scale patterns to create riffs.
Example
Five combines single notes and power chords using the notes from
both the D Natural minor and Blues Scales.
Example
Five:




I hope
you enjoyed this lesson. Grab your guitar and try using the patterns
and concepts in this lesson to create your own cool-sounding riffs.
Mix and match and don't be afraid to experiment. I am confident
you will come up with some great ideas!
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